The Defranceschi Archive
2 mentions · 4 pages

Carlo Prospero Defranceschi

Carlo Prospero Defranceschi, 1795–1815. Prague · Vienna. Every mention of this name in the archive — 2 across 4 pages.

The person of this name

This page is a name index. The person has their own page.

PlacePrague · Vienna
Years1795–1815
LineA place that fits none of the above
Found inNamesake
What the archive knows

Opera libretti

No family is drawn for this name, and no record stands behind it. This archive has not placed it in a household and holds no indexed entry for it — the name reached this project through a chart, a narrative source or the family tree, and everything it does hold is below. The Register is where a record would appear if one turned up.
Identity here is by name, not by resolved individual. Where two people of one name appear in this archive they share this page, and it is for the reader to keep them apart — the surrounding text usually makes it obvious. Nothing here is new evidence; it is the same evidence, brought together.

Appears on: Changes · The Other Franceschi · Lives on one scale · About

Changes

…at Willyamba Place, Flynn. An ACT family of the name, which this archive had not seen. Books & Libraries — a zone never opened — returns 19. It does not find new relatives; it hardens two namesakes the archive already carries on assertion:· Carlo Prospero Defranceschi is confirmed as Salieri's librettist from two independent catalogue authorities. «Cäsar auf Pharmacusa» (Theater an der Wien, 3 editions 1801–1808) — «Libretto by Carlo Defranceschi — New Grove»; and «Angiolina, oder Die Heyrath durchs Getöse»…

The Other Franceschi

…Blasonario Giuliano, after Spreti. Everything before 1488 in that family's account of itself — the prefect Feramondo of 474, the flight to Padua, the crossing to Crete between 1211 and 1257 — is tradition. carloprospero Carlo Prospero Defranceschi fl. 1795–1815 Prague· Vienna Opera libretti Court poet and librettist in the Italian theatres of the Habsburg capitals. He wrote the libretto of Antonio Salieri's «Angiolina, ossia Il matrimonio per sussurro»,…

A dossier is every mention of a name anywhere in this archive's data, gathered automatically and linked back to the page it appears on, with what the archive knows about the person set out at the top. Identity here is by NAME, not by resolved individual: where two people share a name they share a dossier, and the archive says so rather than guessing. Rebuilt from the roster, so every person the archive can name has a page — including the ones read straight off a register that no index anywhere contains.

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